Nice original example of a New Hampshire mirror clock made by Abiel Chandler. The clock is signed on the dial "A. Chandler". The clock has a very unusual and rare movement with long narrow plates and just two posts. This movement is pictured in another Abiel Chandler mirror clock in Charlie Parsons book on New Hampshire clocks on page 200. Parsons notes that the clock shown in his book is the only one he had observed with this movement. This is a wonderful looking movement and is in good running order and is original to the clock. Excellent original reverse painted glass over the dial. The painting exhibits the classic flame turned design found in similar New Hampshire mirror clocks. The glass has wonderful colors of dark and light green, red and gilt designs. There is a crack in the lower left corner which has been professionally bonded and is very tight. The glass is held in place by the original glue blocks. The case retains its original gilt and black painted surface and the original brass rosettes on each of the four corner blocks. The painted iron dial is untouched and is original to the clock. The signature is worn but can be read. Nice original steel hands. The clock case is an excellent and desirable small size measuring 30 inches long by 14 inches wide. The clock also retains its original mirror and pine backboard which holds the mirror in place. The original nails and glue blocks are all present. Very nice example of a signed mirror clock in completely original and remarkably undisturbed condition with excellent proportions and wonderful colors.
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Cyrus Whitcomb Gilt Front Banjo Clock
Stow, Massachusetts - Ca. 1830
Very nice signed gilt front banjo clock made by Cyrus Whitcomb. Cyrus was the son of Asaph Whitcomb, both working in Stow Massachusetts with Asaph also working a period of time in Concord. While Cyrus was not as prolific a clockmaker as his father, we have seen two other banjo clocks by Cyrus Whitcomb and all three have been signed exactly like this one and had similar overall form. This clock retains its original painted iron dial which is in undisturbed condition. The dial mounts to the case with two bent screws. The signature is wonderful on this clock. The original brass eight day movement attaches to the case with two diagonal screws through the backplate with a cotter pin mounting scheme. Nice original steel barbed hands. Both the throat and the box glass are original to the clock and have very nice colors. The lower depicting a woman on stage with curtains on either side. The pendulum aperture interestingly is on the inside portion of each of her arms. The throat has a Patent banner and a nice gilt design with red and green interior colors. There has been some touch up to both the throat and box glasses. Original brass sidearms with a wide sweeping curve similar to the clocks made in the neighboring town of Concord. Original brass bezel and the original bezel glass over the dial. Gilding on case is in nice condition with all turned rope molding present. Case is in fine condition with all the original glueblocks. Original weight pan and curved tie down bar. Very fine period brass urn and eagle finial. Overall a very nice signed clock in very good original condition.
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For Sale Page 1
Sylvester Clark Salem Bridge Timepiece
Salem Bridge, CT - 1831-1834
Exceedingly rare Sylvester Clark timepiece shelf clock. While many Salem Bridge Shelf Clocks were rather large in size, Sylvester Clark made at least two undersized/miniature versions, including this model which is 33 inches to the top of the pediment and only 23 inches to the bottom of the pediment. We have seen one example of a similar case that is slightly shorter at 19 inches in height (no pediment). An example of this exact case style, without the pediment and finials is shown on page 43, fig. 59 in NAWCC Supplement #13-Salem Bridge clocks. That clock is 23 inches in height. It also houses the same movement as this clock which is shown on page 44 figure 61 of the Supplement. This clock case retains its original finish and is made of mahogany veneer over pine with string inlay on the flat pilasters on either side of the door, fully rounded mahogany sides, and tiger maple panels in the base. There is an original mirror in the middle section. The reverse painted glass of a village scene in the pediment is original and is untouched with no in-painting. While it has a number of cracks in it, it has been nicely put back together and is supported by an additional piece of glass over the front. The three finials are original to the clock. The original painted wooden dial winds just right of the numeral VI, and is in untouched condition with original Connecticut “sun and moon” hands. The classic misspelled Clarke label is pasted onto the backboard. The original eight day brass beautiful miniaturized movement is held in place by two wood pieces screwed to the channel stiles in the case. The sides of the brass movement fit into slots in the wood supports. There is a 60 tooth escape wheel held in place by a longitudinal metal bridge, a 1/2 seconds pendulum, and a main wheel with large round holes instead of spokes. This type of Salem Bridge clock is essentially never seen. Wonderful small Salem Bridge Timepiece in completely original condition.
Joseph Ives Ogee Shelf Clock
Plainville CT - Ca. 1841
Very rare shelf clock made by Joseph Ives. This unique eight day shelf clock was made for a very short period of time and sold only by Joseph Ives himself or Hills and Goodrich with movements designed by Joseph Ives. The clock features wonderfully gilded columns and a gilded carved crest inside the case surrounding the original round painted metal dial. The painted dial surface is original and untouched. Original steel hands. The interior of the upper part of the case is painted a light blue to highlight the gilded decorations. The interior blue paint is original to the clock. The gilding on the columns and the carved crest is original and in wonderful condition as well. The clock has it's original eight day brass Ives patent rolling pinion movement housed in a brass canister secured to the back of the case. There are two side mirrors inside the case each running next to the round gilded columns which are also original to the clock. The upper and lower glasses are original to the clock with the lower original reverse painted glass depicting a labeled scene of the Merchants' Exchange in Philadelphia and surrounding city street scene with horse drawn carriages at sunset. The painting also features two side borders with wonderful greek revival columns. These particular style side borders were uniquely used in the Ives ogee clocks. The painting is in very nice condition with restoration to side columns, very upper portion of building and sky. The clock also retains it's original slanted weights which were cut to fit inside the upper part of the case behind the area where the side mirrors are mounted. The mahogany veneered case surface is excellent and appears original with a few normal chips and age cracks. It has been well cared for and has very lively graining. These clocks are seldom seen in general but one almost never finds this clock with a Joseph Ives label. Those that do surface usually have a Hills and Goodrich label. The label has some losses but the critical parts are present and stable and now under protective plastic cover. A very impressive and handsome clock in nice original condition.
Grant and Loring Stencil Front Banjo Clock
Boston Massachusetts - Ca. 1828
Rare and original signed stenciled frame banjo clock. This clock was made by the partnership of William Grant and Henry Loring who were together in business for only one year in 1828. William Grant was a very well known and documented clock maker both before and after this partnership with Loring. The clock is nicely signed on the dial "Grant and Loring, Boston". This very clock is pictured and described in detail in Paul Foley's "Willards Patent Timepieces" on page 140 and further on page 259. The original painted iron dial surface is untouched.including the fine signature. Original steel barbed hands. The clock retains its original reverse painted glasses which are in fine condition. The throat has a gilt red and green foliate design with a white exterior border very typical to the Boston area clocks and the box glass has a nice country scene with a matching white exterior border and gilt and red interior border. There is some minor touch up to the white border on the throat glass. Original stenciled frames have a nice vibrant color which can be seen in the close up photos. The surface of the frames is undisturbed. Original brass sidearms and bezel. Brass ball and spire finial is an appropriate replacement. Original eight day brass movement. Very clean and fine early signed banjo clock with rare stenciled frames.
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George Marsh and Co. Hollow Column Shelf Clock
Bristol CT - Ca. 1832
Impressive Empire shelf clock with Joseph Ives Patent eight day brass strap movement. This clock was manufactured for George Marsh by one of the Joseph Ives Companies, likely during the partnership of Birge and Ives. This very clock is pictured in Brooks Palmers "The Book of American Clocks" figure 216. The clock has a rich crotch mahogany veneered case which retains its original surface, perhaps just lightly cleaned. All components of the case are original including the carved splat, turned wooden bezel and carved paw feet. There is one small section (about two inches in length) of the bezel which is nicely repaired just above the numeral 3. The unique case design has the weights traveling through the round fully veneered hollow side columns. Excellent original painted round wooden dial with bold Arabic numerals, raised gilt gesso designs and gilded chapter ring, is untouched. Nice period mirror in dial opening. Original steel spade hands. Wonderful original Joseph Ives Patent eight day time and strike strap brass movement. Original lower glass now held in place by later wooden strips. The black and gilt border has normal lifting and flaking in sections. The central scene is a very old restoration, probably about 100 years old. The glass has a tight vertical crack which runs down the right side near the tree. The scene is a very nice country manor by the sea with landscape and ship on the horizon. The glass was just as you see it now back in 1959 when the clock was published in Brooks Palmers Book. Large original label in excellent condition. Original weights. 37 Inches in height. Ex- Frank Beaven collection and later Peter Zaharis collection (sold several years prior to 2001 sale of his collection).
Aaron Willard Sr. Banjo Clock
Boston, Massachusetts - Ca. 1810-1815
Very early and impressive gilt front banjo clock signed by Aaron Willard Sr. While Simon, his father, and Aaron Jr., his son, made many banjo clocks, Aaron Sr. focused far more on Tall Case clocks and Massachusetts shelf clocks. Very seldom does one come across an Aaron Sr. banjo clock. Of the few Aaron Sr.'s that I have come across over the years, each has been uniquely signed over the top of the center arbor, as this clock is. The clock exhibits all the earliest features including T-bridge suspension, large throughbolt mounted movement, heavy iron dial, outstanding proportions and thin uniform head. Also exhibits very early style of glass paintings which are shown in Paul Foley's book "Willard's Patent Timepieces" on pages 29 and 189 from a Simon Willard clock. This clock has it's original painted iron dial with signature, numerals and white painted background undisturbed. Original hands. Original eight day brass movement mounted to case with diagonal throughbolts and T-Bridge suspension. Original gilding on turned rope molded frames with just some very minor repairs to original rope molding. Original large turned gilded acorn finial. Original reverse painted glasses with wonderful colors and designs on an interior mustard and red field, with thin mult-colored exterior border on box and throat glasses. The glasses have been over-painted on the backs to preserve the paintings at some point. Tight corner crack in lower left object side of box glass. Original weight. Original brass sidearms and bezel. This particular clock was in a private collection on the South Shore of Connecticut for about 30 years before surfacing recently for sale. Wonderful early Willard banjo clock, and one of the few Aaron Sr. banjo clocks that is actually correct.
Edward Howard and Company # 3 Regulator
Boston Massachusetts - Ca. 1857
Impressive Howard # 3 banjo clock in nice condition. The original brass movement in this clock is embossed "Howard and Davis Boston" as well as "E. Howard and Co. Boston", which places it right around the time of transition from the Howard and Davis partnership which ended in 1857 to E. Howard and Co. Typically in a transition such as this one, existing inventory is used first before additional production, so it is not at all unusual to see either the former firm or both on the movement as in this case. The clock retains its original painted iron dial signed E. Howard and Co. Boston. The dial is in fine overall condition with a small chip just above the signature. The attachment to the case has been shifted just slightly to better secure the dial at some point. Original steel sun and moon hands. Original black, red and gold glasses. Lower re-blacked at some point. Slight cloudy appearance in the black on the throat which is why the lower was likely re-blacked. Red and gold match exactly and the re-blacking is very well done. Cherry case with original painted surface to simulate rosewood. Case retains excellent and very colorful lively graining, as fine as I have ever seen in these Howard cases. Original eight day brass movement. Original weight engraved with numeral "3". Original wooden weight baffle and brass tie down. The # 3 banjo clocks had wonderful proportions and an imposing size being 38 inches in height. Rarely are good examples found with original dial and glasses in these larger models. Overall a very fine and early E. Howard regulator clock.
Henry Terry & Co. Glass Splat Stenciled Shelf Clock
Plymouth Ct. - Ca. 1835
Rare and wonderful example of a glass splat stenciled case wooden works clock by Henry Terry. Very few of these clocks are found today. These glass splats are very unique and were offered in place of the far more traditional stenciled wooden splats. This particular clock is in excellent condition with four original glasses, including both upper stenciled splats, clear upper glass and the highly decorated lower glass. The lower glass depicts a castle in the central scene, lyre decoration around the pendulum aperture along with traditional stenciled designs in the exterior border. Original painted wooden dial is in untouched condition. Typical Henry Terry type hands are also original. Label is in outstanding condition. Original stencil on half round side columnsis in excellent condition. Small sliver of glass missing in very upper right object glass splat and tight corner crack in lower tablet. Both are barely noticeable. This is one of the very special 30 hour wooden works clock one finds. This clock case is full sized at 31 1/2 inches tall by 17 1/4 inches wide. Very colorful and rare wooden works clock in excellent original condition. Truly a rare find.